• Home
  • MohammadReza Sedghi Rezvani
  • OpenAccess
    • List of Articles MohammadReza Sedghi Rezvani

      • Open Access Article

        1 - Class Practice and its Effect on Narrative Literature of Iran; Case Study of Reza Baraheni
        Mohamman Reza Sedghi Rezvani حاتم  قادری
        In the contemporary history of Iran, literature was under focus as a framework for expressing social changes particularly after the Iranian’s encountering with Modernity during Constitutional Revolution. Some of Iranian forces and literary activists who had leftist tren More
        In the contemporary history of Iran, literature was under focus as a framework for expressing social changes particularly after the Iranian’s encountering with Modernity during Constitutional Revolution. Some of Iranian forces and literary activists who had leftist trends in their political thought, choose literature as their method and approach in their fighting. Reza Baraheni as an Iranian writer and critic is located in cultural Left in the literary domain of Iran. Before and after the Islamic Revolution of Iran, he produced some works in criticism, poetry, and story which, in one hand, include themes like class practice and, in other hand, shows his commitment toward social and political changes of a society in which he intellectually lives. This commitment is itself based on an epicism based on Leftism; therefore, the present Class practice in Baraheni’s works could be seen as effected by his Epic Leftism. Manuscript profile
      • Open Access Article

        2 - A Comparative Study of Rorty’s Irony and Foucault’s Parrhesia
        MohammadReza Sedghi Rezvani Seyed Mohammad Ali Taghavi
        Irony is one of the constitutive concepts in Richard Rorty’s pragmatism. The ironist is his ideal type of the person: self-creative and self-conscious, aware of his own contingency, anti-foundationalist, and always ready to revise his account of the self and the world r More
        Irony is one of the constitutive concepts in Richard Rorty’s pragmatism. The ironist is his ideal type of the person: self-creative and self-conscious, aware of his own contingency, anti-foundationalist, and always ready to revise his account of the self and the world radically. Michel Foucault, on the other hand, is concerned with the concept parrhesia. Parrhesiastes is a type of person comparable to the ironist. Hence, the main question in this paper is: what are the similarities and differences between the Rorty’s ironist and Foucault’s parrhesiastes. We will see that while the ironist is keen to confine irony to the private realm, in order not to humiliate anybody, the parrhesiastes has no reluctance to go beyond the limits of the private, and to speak the truth. He does not avoid the risk of saying the truth to those in power even at the cost of his life, while the former is more cautious. Self-creation and autonomy is shared between the two types of personalities. Socrates is the embodiment of both personalities. He is praised as an ironist as well as a parrhesiastes. Manuscript profile